In this site-specific performance a large-scale drawing machine maps connections found between artists in Headlands Center for the Arts’ quarter-century-spanning database.
While visitors watch, networks grow and construct themselves, as the computer-generated visualizations are translated back into the physical space where the connections first occurred. The resulting drawings, though transcribed by machine, betray the inevitable artifacts and imperfections of their physical production.
Exhibited with a video essay.
Imagery generated in The Superstructure forms the identity for a related event, taking on different qualities across a range of media.
Essays and archival documents live side-by-side in this online exhibit and database.
Digital posters, distributed via email, take advantage of their intimate scale by overwhelming the small screen.
Examining the conflicted, shifting relationship between nature and the built environment, and the creation of a new, hybrid landscape combining the two.
An interactive photo booth that—in the tradition of Victorian spirit photography and New Age aura photography—reveals ghostly images of its past users.
These souvenirs/memento mori are printed on oversized receipt paper at the end of each interactive photo booth session shown in Traces.